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Caroline Rose

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6/8/18
Denver, CO
Larimer Lounge
Map of Colorado, USA
4.5 Stars
Should be famous. I was first turned onto Caroline Rose’s 2018 album Loner by some taste-making blogs I read. Judging a few songs leaked before the thing was even released, they were already calling the LP one of the year’s best. I was intrigued, and listened to what I could, including Rose’s debut from a few years prior. Hooked immediately, I was a fan by the time Loner finally came out in full, and only fell harder once I heard its deeper tracks. I knew nothing about this talented artist except for her recordings and a handful of videos featuring her dark and self-deprecating sense of humor, and I was NOT prepared for her live show. She’s a fucking nut, and her band’s a bunch of nuts. That’s a compliment. There’s nothing worse than a boring rock show, and hers was as far from boring as one could hope for. Caroline jumps around between guitar, keyboards and lead vocal duties; she sweats through her headband like LeBron James; she chugs beers mid-song for a chance to belch into the mic; and somehow it all comes across as totally charming. It helped that this show was at the thimble-sized Larimer Lounge (a Denver landmark I had never had the pleasure of experiencing before this night): when the band members engaged in girl/girl/boy/boy tongue kisses and swapped stories about sex on your period and lept from behind their instruments for an on-stage pig pile (all of those things happened) you were literally right in there with them. The songs, outstanding on record, were more muscular live, more frantic and urgent, like a punk show but somehow also totally earnest, played not for laughs but like Rose’s life depended on it. On the weight of the stellar Loner alone, this artist should be playing on every radio station and every late night talk show. And one more thing: her openers on this tour, Cardioid, were also incredible. I can’t wait to see what both of these bands do next. Setlist


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Grizzly Bear

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12/3/17
Denver, CO
Ogden Theatre
Map of Colorado, USA
4 Stars
Bewitching night noise. I’ve always thought this band’s music was fussed over in studios and best listened to on headphones. I had never heard it played live so I was anxious for the experience. I shouldn’t have worried. I already knew the songs were fantastic — especially this tour’s material from the amazing Painted Ruins — but didn’t know the places this band could take them on stage. They were given new life. Quiet got loud, pensive got snarled. I never knew what was coming next. And it was fun watching Ed and Daniel trade verses back and forth, seeing Chris wrangle a new instrument every couple of songs, and trying to follow drummer Christopher’s hands moving wildly around his kit. One of my favorite parts of Grizzly Bear’s music — the vocal harmonies, so gorgeous on record — were reproduced confidently, and were an incredible showcase for The Ogden’s cavernous acoustics. In fact, the dreamy nighttime quality of the music was perfectly suited for this dark and cozy venue. An awesome show. I’ll definitely be catching these guys again. Setlist


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LCD Soundsystem

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11/11/17
Broomfield, CO
1STBANK Center
Map of Colorado, USA
4.5 Stars
Confident and catchy. There’s something refreshing about seeing a scruffy old guy do whatever the fuck he wants in front of an arena full of hipsters. That was James Murphy working the stage this night: letting his fat belly poke out from under his button-down shirt while singing away his mid-life crises. He hit the high notes. He bantered about the absurdity of rockstar etiquette. And all while promoting a (fantastic) album he claimed he was never going to make. I can’t not love this guy. Nor can I imagine him playing with a different group of musicians, not while watching them playfully tease each other giggling onstage. The music is catchy as hell, played fast and without flaw. New songs “Oh Baby” and “Call The Police” were standouts in a set of near-perfect selections. I’m a fan for life. Setlist


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OneRepublic

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9/9/17
Englewood, CO
Fiddler’s Green Amphitheater
Map of Colorado, USA
4 Stars
A pleasant surprise. This band is one of the few that my entire family can listen to and enjoy together. They’re local favorites (founding members met at high school here in Colorado) so I got us tickets to what I hoped would be high-energy show for an enthusiastic home crowd. We got that and a whole lot more. Frontman Ryan Tedder is a gifted talent for whom showmanship and charisma come naturally, and his band was incredible. Zach Filkins is a gifted multi-instrumentalist, toggling between workmanlike guitar chops, beautiful flamenco picking and unexpected texture on viola; Brent Kutzle stayed busy crushing it in equal measures on electric bass and gorgeous cello; and Drew Brown astounded on lead guitar. Despite the show’s well-choreographed production value and elaborate stage sets, Tedder managed to keep things fresh. His between-song banter is charming, and he’s written enough hits — for his day band and for other megastars — to pepper his sets with left-field gems. The guy’s a machine: his muscular voice never wavered, even while running around the stage or, at one point, through the adoring crowd. I figured this show would be a fine family distraction for a Saturday night; I never predicted it would be one of my favorite shows of that summer. Setlist


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Phish

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9/3/17
Commerce City, CO
Dick’s Sporting Goods Park
Map of Colorado, USA
4.5 Stars
Phenomenal tour finale. Wow. Just … wow. I barely knew or recognized half of the songs played this night. “Buffalo Bill,” “Sugar Shack” and, apparently a thing, “Meatstick,” were all welcome surprises for me. And some of my old favorites — “Back On The Train” and “Also Sprach Zarathustra” included — showed up in peak form. As with most Phish shows I’ve attended, you didn’t need to be a card-carrying fan to enjoy the mind-boggling work onstage. Everything’s so expertly played to such an adoring crowd that it’s hard not to get caught up in it all. And I did, at no time more than a frenzied and breathless “First Tube” to end the night, the tour, and any doubts about the power these guys can wield onstage. Setlist


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Phish

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7/25/17
New York, NY
Madison Square Garden
Map of Illinois, USA
4 Stars
Hello, old phriends! A business trip serendipitously dropped me into NYC on Night 4 of the band’s Baker’s Dozen run at Madison Square Garden. Despite letting my Phan status lapse long ago, I had to go. I’m glad I did. The experience reminded me why I fell in love with Phish shows in the first place: face-melting musicianship, a light show without equal, and the energy of the best fans in the world. My Baker’s Dozen night theme was “Jam-Filled” and boy was it. Proof point: I got the longest song played in tour history — “Crosseyed & Painless” (a favorite of mine!) coming in at over 33 minutes. If that sounds horrible to you then you would’ve hated this show. The music was insanely good — they’re at the top of their game at this point — but the real takeaway for me was simply being there and basking in those familiar feelings of euphoria and respect and curiosity. It rekindled my interest in attending Phish shows (see Phish, Dick’s Sporting Goods Park, 9/3/17 caught just a month later) and reminded me that, even after all this time, Phish are the best live act on the planet. Setlist


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Jim James

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12/3/16
Denver, CO
Paramount Theatre
Map of Colorado, USA
4 Stars
The alchemist’s lab.  I did not expect the massive, manic energy on display here, on stage nor in the audience. I should have — I’ve seen enough My Morning Jacket shows to witness the ease with which this wizard assembles talent and stirs crowds — but I assumed a solo show would be more introspective, more folkie. It was those things but it was mostly a heavy, no-holds-barred rock show. The surprise that took me served me well. I was smitten, falling in love with this man and his music like we were meeting for the first time, like all those Jacket shows around the country had never nestled their way into my guts and heart. Like all great creators, Jim James has a knack for weaving together <em>universes</em>: he collects fellow musicians who compliment and expand the palette inherent in him (the cosmic keyboardist from Twin Limb), presents them in unexpected ways (two drummers!), and uses the brew to embrace and intoxicate his audience. We were drunk — literally, yes, but for sure figuratively — and losing our minds from almost the first note. His latest solo album has yet to work its way into my circuitry, so it’s expected that I got the most joy in hearing older songs like “A New Life” and “State Of The Art (AEIOU)” … but that sentiment must have been common because the place was whipped up in goddam froth by those late-set rippers, heads banging and sweat flying. It felt, for us in the audience, like a brotherhood, borrowed in part by the shared Jacket family, but cemented by this singular talent and the chemistry in which he made us all a part. Setlist


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Sigur Ros

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9/27/16
Denver, CO
Ellie Caulkins Opera House
Map of Colorado, USA
4 Stars
A sensory excursion. The music of Sigur Ros transports me to places strange and fertile, miles away from my beige working life; listening to it on headphones amplifies the sensation and wraps it around me like a blanket. Such was the feeling at the tiny, gorgeous Ellie Caulkins Opera House, my first taste of the band live. The venue’s high ceilings and the steep pitch of the balconies created the sense of travelling together in a ship, and the music, all rolling drum beats and guitar tones drawn out with violin bows, — matched the mood. Panes of light and video were placed to the sides, front and rear of the band, absorbing them into the presentation and distorting the audience’s sense of depth. Even the pace of the set — plodding and patient to start, bugging out in the middle, exploding completely to finish — was a journey. By the end the drummer was sweaty, shirtless mess; a tour guide through a trip we were thrilled to experience. Setlist


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Local Natives

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9/23/16
Denver, CO
Ogden Theatre
Map of Colorado, USA
4 Stars
They don’t suck. Attending this show was a bit of an experiment for me. I loved Local Natives’ debut album and, many years ago, had gotten around to seeing them live while touring their sophomore album Hummingbird. (One of my favorite albums of any year or genre, I believe Hummingbird is without flaw and, if you haven’t heard it, you should stop reading this and seek it out.) The first time I saw them was at an outdoor festival, in the afternoon, in sweltering heat, with a horrible crowd of drunks; the second time was as an opener, in the afternoon, in sweltering heat, with a horrible crowd of hipsters. Both times, they played great, but the crowds HATED them. Was I missing something? Did one of my most favorite bands actually suck and I just wasn’t seeing it? I had to find out, so I jumped at the chance to see them play my local theater, touring behind their terrific third album, as headliners this time. And this time … THE CROWD WENT APE SHIT. It was awesome. We danced like animals, we sang along to every word, we cried. (Really, I saw a girl in the front row crying.) Okay, this is better. These are my people. And the band was charged, generous, filled with energy, happy. Their harmonies were gorgeous, their playing, tight. (The bassist was stoned out of his mind but his playing, too, was tight.) I’ll see them again, confident they don’t suck. Setlist


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Twenty One Pilots

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7/12/16
Morrison, CO
Red Rocks Amphitheater
Map of Colorado, USA
4.5 Stars
Well-rehearsed spectacle. I bought tickets to this show as an excuse to introduce my kids to Red Rocks. They love Twenty One Pilots; I only marginally like them, but I like that they don’t cuss in their lyrics, so off we went. I expected lots of wide-eyed tweens and goth teens there in obnoxious groups or leaning away from their dads (like my boys). What I got instead was The Greatest Show On Earth — Magic! Robot dancers! Costume changes! — with the crowd singing along to every word. And it was presented by two cool and earnest young people for a crowd of cool and earnest young people. The show opened with the band — just two guys! — onstage in ski masks. But then a shroud falls over the singer and, a second later, a spotlight reveals the singer on a giant rock 50 feet from the stage! Then the spotlight on the drummer’s kit goes dark and, a second later, the drummer’s on a full kit on the roof of the beer stand! Then they’re playing on a satellite stage in the middle of the crowd surrounded by fans! Something crazy like this was always happening, without interruption to the music. And the guys in the band couldn’t have been more respectful of the fans. They delivered stories about the joy of playing music — from friends’ bedrooms to packed stadiums — and the importance of being true to yourself among others; stuff that sounds cheesy to cynical old concert farts like me but visibly moved the young people in the audience. I could appreciate the message, and I know my kids took the spirit of it home with them. These two guys spent a lot of time crafting an excellent rock show that was unique to the venue and appropriate to the audience. Besides employing a bit more live instrumentation, there wasn’t much more they could have done to please the crowd. I know I loved it. Setlist


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