The alchemist’s lab.  I did not expect the massive, manic energy on display here, on stage nor in the audience. I should have — I’ve seen enough My Morning Jacket shows to witness the ease with which this wizard assembles talent and stirs crowds — but I assumed a solo show would be more introspective, more folkie. It was those things but it was mostly a heavy, no-holds-barred rock show. The surprise that took me served me well. I was smitten, falling in love with this man and his music like we were meeting for the first time, like all those Jacket shows around the country had never nestled their way into my guts and heart. Like all great creators, Jim James has a knack for weaving together <em>universes</em>: he collects fellow musicians who compliment and expand the palette inherent in him (the cosmic keyboardist from Twin Limb), presents them in unexpected ways (two drummers!), and uses the brew to embrace and intoxicate his audience. We were drunk — literally, yes, but for sure figuratively — and losing our minds from almost the first note. His latest solo album has yet to work its way into my circuitry, so it’s expected that I got the most joy in hearing older songs like “A New Life” and “State Of The Art (AEIOU)” … but that sentiment must have been common because the place was whipped up in goddam froth by those late-set rippers, heads banging and sweat flying. It felt, for us in the audience, like a brotherhood, borrowed in part by the shared Jacket family, but cemented by this singular talent and the chemistry in which he made us all a part. Setlist